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The 2020 Montrose Christian Writers Conference is History!

 Conference center director, Jim Fahringer, and former writers’ conference director, Patti Souder

WE MADE IT!

    The 2020 Montrose Christian Writers Conference began Sunday evening, July 12th and ended Friday, July 17th on the campus of the beautiful restored home and conference center of world-renowned evangelist, missionary, and author R.A. Torrey.
   We had 12 on faculty including award-winning and best-selling authors, and we had about 60 conferees attend. With over 50 classes teaching anything from the basics of editing and writing well to marketing and promoting your book, the conferees went home with their heads stuffed full of knowledge they can apply to their own writing career.
Our wonderful faculty shared invaluable information to help beginners as well as those who’ve been published. We also had a Praise and Worship time every day with gifted pianist Kathy Brittain. That time is always a highlight for mostly everyone.

 With the ongoing COVID -19 threat, the conference center director, Jim Fahringer, and his staff did everything humanly possible to keep everyone safe, including taking our temperatures every morning, everyone wearing masks, having hand sanitizer available all over the place, and practicing social distancing. The kitchen and dining room crew went, what I consider, way beyond “playing it safe,” handling food meticulously with no salad bar and using paper/Styrofoam products. We even practiced social distancing at the dining room tables.
For you who attended,  you know God richly blessed the week. We made new friends and renewed old acquaintances. Some folks were in tears on Friday when we dismissed because their week had been so blessed. One faculty member said, “I don’t want to leave.” Another one told me, “I’d love to move here!”
 For you who missed because of a number of reasons, I pray that next year we’ll be able to resume “normalcy” and once again have another writers’ conference to encourage and uplift every faculty member and conferee who will attend.  In a few weeks, I’ll begin planning for the 32nd MCWC!
Thank you all for your prayers. God did bless in a marvelous way!
Marsha
Director

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On Writing: Excellent Character Development

Here we go! Here are 10 ways to make your characters come alive in that next great American novel you’re writing:

1. Make each character uniquely different with different names. A few years ago, I had another writer friend critique my first four chapters of the Amish fiction I wrote, and she caught a “biggie.” I had two characters named “Joe.” DUH!

2. Give each character his own distinctive voice. After a few chapters, your reader should be able to tell who’s speaking without even looking at the tag.

3. Have your characters working jobs or going to school or doing “something” relevant to the plot. If you’re writing a murder mystery, your main character probably shouldn’t be babysitting puppies for a living.

4. When you name your characters, give them names that fit their personality, body type, nationality, etc. Now picture this: your character is a 220-pound Italian hunk, built like Superman and he’s a policeman, then you give him the name “Wilbur.”

5. If you’re writing fiction with different viewpoints, only get inside the head of your main characters. I’ve read books by one of the leading writers of Amish fiction in the country, but I have trouble following her because of the multiple P.O.V.s. In one book, there were 16 P.O.V.s. I was so confused, I had to start over and write down everyone’s name, who they were, and what they did in the book. The author has a big name, but I don’t care for trying to unscramble all those P.O.V.s.

6. Build your characters a little at a time as you write the novel. The plot should “thicken” at the same time you start to describe your characters more vividly and get them totally involved in the action.

7. Even though you’re writing fiction, be authentic. Interview policeman, veterinarians, computer geeks, or whomever so you have a thorough understanding of their job descriptions. In book seven of my Keystone Stables horse series, I wrote about a barn fire. Before doing so, I went to the local firemen and interviewed them to get the details of how the fire company would handle a barn fire in a countryside setting. I asked what kind of equipment they needed, what certain names of the trucks were, and how they’d tackle the task. The account in my book is accurate and detailed, even though the book is fiction.

8. Start each characters’ names with different letters. How confusing would this be? Sam told Susie that Stella was going to be with Savannah the night of the social. Sheesh! Who’s who in that quandary?

9. For at least your main characters, give them some depth by including some history about them. They didn’t just hatch from eggs the day you started writing about them. (Or did they?) Build character sketches for each of them. I’ve heard of some writers giving their characters full families, birthdays, college degrees, bank accounts in Sweden, and so on to “flesh them out.” Details DO matter when you’re writing about people. Write so that your reader thinks he/she can almost hear your characters breathe.

10. Have your characters less than perfect. Develop flaws in their appearances or personalities, which they must overcome or accept as the plot unfolds. No one likes to read about a character who seems too good to be true. In the long run, that character will be too good to be true, and he/she will turn your reader right off.

P.S. I hope you’re making plans to attend the 2020 Montrose Christian Writers’ Conference. More details coming soon, but we have agents, editors, and best-selling authors for fiction, kid lit, devotions, magazine articles, adult fiction, Chicken Soup for the Soul, and more! Don’t miss it: July 12th to the 17th!

Marsha

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How to Turn Off your Reader

You’re writing that great American novel. You’ve read tons of “how to write” books, studied your high school English books to the last dangling participle, and now you’re ready to start pecking away at the keyboard.

There are a few basic principles of writing good fiction to keep your reader engaged that must be remembered or your book will go flying out your reader’s window. Worse yet, while it’s being reviewed at the publishing company, the editor will send your manuscript back so fast, you’re characters’ heads will be spinning.

So, if you want to turn off your reader, or your editor, here’s what you do:

1. Start your book by waxing eloquent. Describe beautiful settings, introduce action, and throw in a few pages of dialogue of minor characters. But don’t introduce your main protagonist until page 10.

2. Write 20 pages of backstory with vivid descriptions and details of your protagonist’s past life. Tell every nitty, gritty little detail about him that doesn’t mean beans to the main story line.

3. Have your plot direction a mystery. “What the heck is going on here?” will run through your reader’s mind every time he turns the page and starts a new chapter.

4. Develop a main protagonist that is offensive and says really outrageous or stupid things that aren’t justified. For example, women readers are very sensitive to male attitudes toward them. (The author’s attitudes will come shining through in the protagonist’s actions and words.)

5. If you’re writing Christian fiction, preach it, brother! Fill your pages with scripture verses. Have your protagonist a “holier than thou” saint who does no wrong and walks the straight and narrow. No reader in his right mind would want to embrace a character who is so heavenly minded, he’s no earthly good.

So, if you’ve decided you don’t want to ever be published, that’s what you do. Master these five steps, and you’ll definitely turn off any reader who’s brave enough to attempt to tackle your “eloquence.”

Marsha Hubler
(Website) www.marshahubler.com
(Blog) www.marshahubler.wordpress.com
Best-selling Author of the Keystone Stables books

OVER 250,000 IN PRINT!

THE 8-BOOK KEYSTONE STABLES SERIES

http://amzn.to/2nPbZ5q

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On Writing: The Editor Connection

As a beginner over 20 years ago, I didn’t have a clue about connecting with editors. I thought all I had to do was look up a publishing company’s address in the Writers’ Market Guide, send off my manuscript after I wrote it and revised it once, and then wait for the check to arrive in the mail.

Boy, did I have a lot to learn! Over the years, I’ve accumulated some wisdom that I’d like to pass on to you. Each of these “talking points” could be developed into an essay of sorts, but for convenience’s sake, we’ll just make a quickie list for you to ponder and then, in turn, to analyze your own progress in becoming a published author:

1. Study the market and make sure your manuscript matches what the publishing company is looking for. This is the number one reason that writers are rejected. A story about your favorite pet cow won’t make it in a horse magazine!
2. Follow the submission guidelines to the T if you even want to be considered. If the editor wants a proposal or a query letter first, then learn how to do those two “writing projects” well and submit them first.
3. Have your manuscript critiqued several times by other writers you know (like in a critique group). If you have the financial means, hire a freelance editor to refine your copy. If you don’t do this, the editor at the publishing company might read only one or two paragraphs of your submission and go no farther because of poor writing. “Duh, shure eye kin spel; did eye miss sumpthun?”
3. If you have an editor who is interested in your work, send it to him/her immediately. The longer you wait, the fuzzier his/her mind will become about your query or proposal.
4. Be patient when waiting to hear from an editor. These days it can take anywhere from three months to six months, maybe longer, to hear from an editor. The sad thing of late is that some publishing companies are not responding to writers’ queries or manuscripts unless they have been accepted. This can become a frustrating waiting game with no end. Therefore, find companies that accept multiple submissions, and send five or six out at a time. If you’ve heard nothing after six months, I suggest emailing or calling the editor, but not before.
5. The best way to “connect” with editors is to attend writers’ conferences. Yes, you have to dig deep into your starving author pocket to pay the conferees’ fee and other expenses, but in this business, it takes money to earn money.

Of the four book contracts I’ve acquired, three of them came from meeting editors at writers conferences. I’ve also had poetry, children’s short stories, and articles published in magazines by meeting the editors at conferences. Editors love to “connect” writers’ names with their faces. It’s a big plus for you and them alike.

So there you have a few tips to help you get started on the road to publication. Next time, I’ll address the topic of working with an editor once you get that acceptance letter or phone call.

I remember my very first phone conversation with an editor who wanted to do my Keystone Stables series (18 years ago already), and it was a thrill which I shall never forget.

Marsha Hubler
www.marshahubler.com
www.marshahubler.wordpress.com
Author of the Keystone Stables Series

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Six Tips for Beginners

So, you’ve got your blank screen before you, you’ve got a tremendous idea for the “next great American novel,” you’ve got your dictionary, thesaurus, Elements of Style, and your Chicago Manual of Style ready. You rub your hands together, blow on your fingernails, and say, “Look out, world. Here comes brilliance!”

If you’ve never tried writing anything but eight-line poems or a letter to the newspaper’s editor once in a while, there are a few tips I’d like to share with you to help you not only write well but also get published. You might not be ready for a novel; perhaps, a 1200-word fiction story or article would be the best way to start.

Whether you’re determined to write a novel or start with shorter stuff, the tips I want to share will help. They’ll also be brief and to the point. In other words, I will not expound with long, convoluted sentences, which is one of the tips I have for you.

Tips to Help You Write Well:

1. Don’t write long, convoluted sentences. Write short, poignant sentences with very few flowery words and long descriptive paragraphs. Today’s readers won’t stand for your showing off for pages of narration that will bore them to death and cause them to set a match to your work.

2. Avoid the exclamation mark! One per page is often too many. Use clever words to emphasize emotion and action. Stay away from the exclamation mark!

3. Even if you’re writing fiction, be accurate. Do your homework. If you’re describing a fire scene, make sure you visit your local fire company and get all the details of what fire fighting is all about.

4. Stay away from fancy words. Go for simple active verbs, not descriptive adverbs and impressive adjectives. Instead of “She walked limply and lazily” try “She hobbled.”

5. Avoid figures of speech. They often distract your readers from the real core meaning of your sentence or paragraph. It just makes your reader think you were too lazy to put your own words together to write a clever line.

6. Try to stay in the background, like, invisible. A skillful writer will have his/her readers engrossed in the story, identifying with the character or theme and will not give the author a second thought. Not until the last page. Then the readers are free to exclaim, “Wow! What a story!” (And with the exclamation marks!)

Marsha Hubler
www.marshahubler.com
www.marshahubler.wordpress.com
Author of the Keystone Stables Series

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Start saving and make plans to join us next July 12th to the 17th at the 31st Montrose Christian Writers Conference in Montrose, PA. We have editors, agents, and best-selling authors on faculty to help you with any facet of your writing. :) 

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THE MONTROSE CHRISTIAN WRITERS CONFERENCE

Writers, the 2019 Montrose Christian Writers Conference is history for a month already. With over 100 writers, agents, and editors gathered together in mid-July, we had a wonderful week of fellowship and learning how to write better for God’s glory.

Believe it or not, I’m already working on the 2020 MCWC and already have verbal commitments from about 10 authors, editors, and agents. Lord willing, our next conference will be held from Sunday, July 12th to Friday, July 17th, 2020. A few folks who’ve already said yes to coming on faculty are freelance editor Vie Herlocker, literary agents Sally Apokedak and Michelle Lazurek, authors Annette Whipple, Joyce Magnin, and Tiffany Amber Stockton, social media expert Don Catlett, and marketing guru Karen Whiting. There are still about five or six more potential faculty members, so check in often to see the final line-up, hopefully before the holidays are upon us.

Whether you are a beginner or a seasoned writer and whether you write fiction or nonfiction, there will be over 40 classes presenting all facets of the writing/publishing world. We also have interesting and fun events Monday through Thursday evenings, often allowing conferees interaction with faculty members.

Then there’s Frank and Bucky, who always liven up the week’s boring moments (if there is such a thing.)

So mark your calendar and start sprucing up your manuscripts. Next July you just might find yourself with a contract in your hands.

 

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THE 2019 MONTROSE CHRISTIAN WRITERS CONFERENCE IS OVER!  

BUT PLAN FOR MCWC 2020!

The 2019 Montrose Christian Writers Conference is history. I can’t believe it’s almost a week ago already that the conference ended. What a blessing this year’s conference was to me as the director. Without the help of my “committee,” I wouldn’t have been able to pull this off. Thank you, gals. You are deeply appreciated. (And you know who you are!)

I want to personally thank Jim Fahringer and his wonderful staff for providing such an excellent place at the Montrose Bible Conference Center, including fine meals and homey rooms. Without exception, folks say the beautiful setting and family atmosphere are tops.

I also want to thank each faculty member, who made this year’s conference one of the best we’ve ever had. We’ve had almost 100% of positive feedback from the conferees, who gleaned from the faculty’s expertise.

Thank you, Alison Everill, talented musician, who provided spirit-filled Praise and Worship times every morning to start our days with thoughts about our wonderful God.

Then I want to thank each conferee who sacrificed a lot of money and time to attend this conference. Besides paying tuition, room, and board, the conferees opened their hearts to the needs of others by donating used books for our Budget Book Sale. I’m guessing we had at least 100 books to sell. Thank you, Kathie Mitchell, for spearheading that big project.

Along with those book donations, faculty and conferees “purchased” dozens and dozens of those used books and many MCWC can coolers (koozies😊)to support the General Scholarship Fund. We raised over $500 to help future conferees with their finances as well as donating over $400 to the kitchen staff, many who work as volunteers or get paid minimal salaries.

When our conference closed on Friday, July 19th, we ended with a short praise and worship time, a challenge from a faculty member-author Gayle Roper-and a circle of friendship and prayer. It’s not unusual for conferees and faculty members to part with tears in their eyes, pledging to return next July. Once anyone attends MCWC, he/she is considered “family,” and we look forward to seeing each one every year.

I overheard one gal say, “I just have to come back next year,” and she plans to save all her loose change to put toward next year’s expenses. That’s an excellent idea for those who have to count every penny in their budget. In a year’s time, quite a few dollars can mount up. Another gal with tears in her eyes told me, “I love my family and my life back home, but I don’t want to leave. This was wonderful.”

If you’ve never been to our Montrose Christian Writers Conference, please consider joining us next year. The dates are forthcoming. I promise you won’t be sorry.

For you who’ve been there for 15 years or just for one year, I look forward, Lord willing, to seeing you again in 2020! God bless your writing endeavors over the next year.

P.S. Whether you attended or not, you might enjoy looking at my Pinterest 2019 MCWC Board with over 100 photos of the conference’s faculty, conferees, and events. I’ve just started downloading photos from the conference, so it’ll take me awhile, but check the board at your convenience:

If you weren’t at the conference and would like to know what you missed, check out the conference’s details:

http://www.montrosebible.org/OurEvents/tabid/113/page_550/1/eventid_550/58/Default.aspx

God bless you as you pray and ask God to help you write for His glory.

Marsha, Director

1 Corinthians 15:10

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TODAY’S WRITERS’ TIP

FICTION PLOT # 12 

TRANSFORMATION

 

After several months of blogging about the 2018 Montrose Christian Writers Conference held from July 22nd to the 27th, I’m now returning to blog posts about writing and how to help you become a better writer. Before I blogged about this past July’s conference, I had discussed eleven different plots (of 20 presented in the book, 20 Master Plots by Ronald B. Tobias). Below is plot 12, which presents the details concerning writing a plot that “transforms” characters.

PLOT # 12

TRANSFORMATION

The Red Badge of Courage

Pygmalion (My Fair Lady)

Dr. Jekyll & Mr. Hyde

Jekyll-mansfield.jpg 

 

Well-written transformation plots are intriguing because of the big change that takes place in at least one main character throughout the story. But what elements are essential to make that best-seller work? Let’s take a look:

  1. The plot of transformation should deal with the process of change as the protagonist journeys through one of the many stages of life.
  2. The plot should isolate a portion of the protagonist’s life that represents the period of change, moving from one significant character state to another.
  3. The story should concentrate on the nature of change and how it affects the protagonist’s experience from start to end.
  4. The first dramatic phase should relate the transforming incident that propels the antagonist into a crisis, which starts the process of change.
  5. The second dramatic phase generally should depict the effects of the transformation. Since this plot is about character, the story concentrates on the protagonist’s self-examination.
  6. The third dramatic phase should contain a clarifying incident, which represents the final stage of the transformation. The character understands the true nature of his experience and how it’s affected him. This is the point in the story at which true growth and understanding occur.
  7. Often the price of wisdom the character gains is a certain sadness.

 Go ahead, writer. Take a shot at a transformation plot. You just might transform yourself into a best-selling author!

All information from Tobias, Ronald B (2011-12-15). 20 Master Plots. F+W Media, Inc. Kindle Edition.

(I highly recommend this book for anyone interested in writing good fiction.)

Happy writing!

Marsha

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2018 Montrose Christian Writers Conference Photos

Writers, this will be the last 2018 MCWC photo post in this blog. I need to get back to posting blogs about writing well, which I plan to do next week. So enjoy the photos included here. You’ll also see more from time to time in the Writers of Any Genre group in Facebook.

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August 6, 2018

THE 2018 MONTROSE CHRISTIAN WRITERS CONFERENCE IS HISTORY!

From Sunday evening, July 22nd to Friday morning, July 27th, a stellar faculty of 14, and about 70 eager conferees gathered at the Montrose Bible Conference campus for almost a full week of over 45 workshops to help any writer, newbie or experienced. The evening activities also brought more insight into the world of writing/publishing as well as lots of laughs.

(For all the details of the conference, please go to https://bit.ly/2pdcYQC)

Pictures are worth 1000 words. Thus, no more words…just pictures of the exciting time….

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