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Posts Tagged ‘how to write good fiction’

PLOT # 14

LOVE

Pride and Prejudice

Splash

The Ghost and Mrs. Muir

My Fair Lady

If you’re considering writing a romance, take into consideration the following information that just might help you write a best seller:

  1. The prospect of love should always be met with a major obstacle. Your characters may want it, but they can’t have it for any variety of reasons. At least not right away.

2. The lovers are usually ill-suited in some way. They may come from different social classes or they may be physically unequal (one is blind or have special needs).

3. The first attempt to solve the obstacle is almost always thwarted. Success doesn’t come easily. Love must be proven by dedication and stick-to-it-iveness.

4.  As one observer once put it, love usually consists of one person offering the kiss and the other offering the cheek, meaning one lover is more aggressive in seeking love than the other. The aggressive partner is the seeker, who completes the majority of the action. The passive partner (who may want love just as much) still waits for the aggressive partner to overcome the obstacles. Either role can be played by either sex.

5.  Love stories don’t need to have happy endings. If you try to force a happy ending on a love story that clearly doesn’t deserve one, your audience will refuse it. True, Hollywood prefers happy endings, but some of the world’s best love stories (Anna Karenina, Romeo and Juliet, Love Story) are very sad.

6.  Concentrate on your main characters to make them appealing and convincing. Avoid the stereotypical lovers. Make your characters and their circumstances unique and interesting. Love is one of the hardest subjects to write about because it’s been written about so often, but that doesn’t mean it can’t be done well. You will have to feel deeply for your characters, though. If you don’t, neither will your readers.

7. Emotion is an important element in writing about love. Not only should you be convincing, but you should develop the full range of feelings: fear, loathing, attraction, disappointment, reunion, consummation, etc. Love has many feelings associated with it and you should be prepared to develop them according to the needs of your plot.

8.  Understand the role of sentiment and sentimentality in your writing and decide which is better for your story. If you’re writing a formula romance, you may want to use the tricks of sentimentality. If you’re trying to write a one-of-a-kind love story, you will want to avoid sentimentality and rely on true sentiment in your character’s feelings.

9.  Take the lovers through the full ordeal of love. Make sure they are tested (individually and collectively) and that they finally deserve the love they seek. Love is earned; it is not a gift. Love untested is not true love.

So, there you have it. If you’ve started a romance, do a checklist using these nine essential “ingredients” and see how many you’ve included to shape that novel into a page turner.

ALL INFORMATION COMPLIMENTS OF

Tobias, Ronald B.  20 Master Plots: And How to Build Them (Kindle Locations 1185-1207). F+W Media, Inc. Kindle Edition.

I highly recommend this book for anyone interested in writing fiction of any kind.

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MY WRITERS’ TIPS BLOG POSTS ARE COMING AGAIN!

Friends, with my husband’s heart attacks, ICU stay in three different hospitals, including the Cleveland Clinic, for over two months, and his homegoing on November 6th, I’ve not been able to post my weekly Writers’ Tip Blog since August 21st. Richard had two heart attacks that same week, and our lives changed forever.

That was six months ago already to the day when he entered the first ICU. You who’ve experienced the death of a close one know how much “paperwork” is involved in getting your new life in order. I’m finally getting some kind of “normalcy” in my daily routine. Thus, I’m going to try to return to entering a Writers’ Tip Blog post every Monday. Again, I want to thank you all for your continued prayers.

Today we’re going to continue with the different plots that fiction novels can present. I’ve used a wonderful book by Ronald Tobias called MASTER PLOTS AND HOW TO BUILD THEM as my primary resource. This work by Tobias is packed with useful information for any writer of fiction desiring to improve his skills for writing an I-can’t-put-the-book-down manuscript.

In August, I had posted PLOT # 1, THE QUEST. You might want to scroll down and refresh your memory concerning that plot’s specifics. Today we’re going to look at PLOT # 2, ADVENTURE. If you’re a fiction writer, I believe you’ll thoroughly enjoy these posts and glean much information from them to help you become a better writer:

PLOT 2

ADVENTURE

Indiana Jones

Luke Skywalker

James Bond

Robinson Crusoe

The adventure plot resembles the quest plot, but they differ in some profound ways:

  1. The quest plot is a character plot, getting into the mind of that main character. The adventure plot, on the other hand, is an action plot—a plot of the hero in action.
  2. The difference between the two is the focus. In the quest plot, the focus from beginning to end is on the person making the journey. In the adventure plot, the focus is on the journey.
  3. In the adventure plot, the hero searches for fortune somewhere over the rainbow. The purpose of the adventure is the journey, so the hero doesn’t need to change in any special way.
  4. The reader doesn’t get “into the head” of the main character like the quest plot. The protagonist is perfectly fitted for the adventure: He/she is swept up in the event because the event is always larger than the character.
  5. The worlds the main characters live in are anything but “normal.” Readers enjoy the adventures not only for the action but also for the places where the character goes.
  6. If you the reader liked fairy tales as a child, you’ll love adventure plots in an exciting novel. The adventure story is nothing more than a fairy tale for grown-ups.

ALL INFORMATION COMPLIMENTS OF

Tobias, Ronald B. 20 Master Plots: And How to Build Them (Kindle Locations 1185-1207). F+W Media, Inc. Kindle Edition.

Next time, we’ll look at PLOT # 3: PURSUIT

 

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