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Posts Tagged ‘Writing fiction’

 

ALISON EVERILL – MCWC’S NEW PRAISE AND WORSHIP LEADER

I know many former MCWC conferees and faculty members, who plan to return this July, have been wondering if we’ll have a daily Praise and Worship time at Montrose this year since Donna and Conrad Kreiger retired last year.

We’ve been praying that God would lead us to the right person(s) to continue the tradition of our God-honoring praise sessions that have been so greatly appreciated.

The Montrose Bible Conference director, Jim Fahringer, recommended a gal from Georgia, whom he said he’s had at the conference grounds for several other events and highly recommends her. Let’s get to meet ALISON EVERILL:

Alison Everill:  began her music ministry as a childhood church musician. From then until now, she has chronicled her faith journey through her beautiful music. From the moment Alison sits at the piano to express her worship for Jesus through one of her original worship songs, listeners are drawn in to hear the passion in her voice and sense her devotion to the Lord through her

powerful lyrics that speak volumes not only about her music but also her life. She composes her own music and powerfully delivers each Christ-centered message. She has co-written and published two songs on Dove Award-winning artist Babbie Mason’s latest record project and has had several songs signed with the Gaither Publishing Company.

 

Alison will also teach four workshops for music lovers who have written their own music or would like to know how:

SONGWRITING
Alison Everill    4 Sessions:   2:30 – 4:15    Wed. – Thurs.

Where do I begin? Finding good song ideas, coming up with your “hook,” starting

strong. What are the Nuts and Bolts of crafting a good song? Rhyme scheme, matching

syllables, word choice, song structure. How do I construct a professional lyric sheet and get my song publish-ready? You’ll also have an opportunity to share a song you have written with the group and receive feedback. Bring a demo if you have one and/or lyric multiple lyric sheets. We’ll work on any songs you have in progress using the tools we have learned and possibly write some originals! We’ll be writing during this time together!

 So come with a notebook, ready to create!  

Songwriters and everyone else planning to come, all the information and registration forms are on the website, https://bit.ly/2GvaC6s . Although the online registration is not ready, you can scroll down to the REGISTRATION FORM option and click on it. Then print the registration form to complete and snail mail it to the Montrose Conference Center office. The hard copy brochures will also be ready any day, which, if you are on our mailing list, you should receive in the mail very soon.

MEET DEB HAGGERTY -PUBLISHER AND CHIEF EDITOR OF ELK LAKE PUBLISHING

Deb Haggerty has been involved in Christian speaking and writing since 1995. She is well known in the industry for her teaching at Christian writers’ conferences such as Glorieta, Blue Ridge Mountains, Greater Philadelphia, and Florida. She has been on staff for CLASSeminars and Florence Littauer’s Personality Training Seminars. Her seminars on communication, networking, and grace are popular with conferences and church groups alike. She also teaches writers “Tips and Tricks on Working with Editors and Publishers.”

Deb took a hiatus from speaking when she was diagnosed and treated for breast cancer in 2000. Led to stay home and care for her family, she soldiered through the death of her mother-in-law, her stepson, and her mother. In 2014, she began a freelance editing business and also began editing for Elk Lake. In 2015, the owner asked her to come on board as Vice President of Acquisitions and Management. When he could no longer run the company due to health issues, Deb and her husband bought the assets of the company in 2016.

Since purchasing Elk Lake Publishing and incorporating, the company has gained a reputation for publishing positive books, encouraging new and experienced authors alike, and participating in the education of upcoming writers. Deb’s mission is to come alongside the authors God brings to her to ensure their work is produced in a positive and professional fashion.

Prior to her speaking and writing endeavors, Deb worked in corporate America for almost twenty-five years in a variety of assignments from sales, support staff, marketing, consulting, recruiting, and management. She even taught piano lessons for five years! All of these experiences have prepared her for running Elk Lake Publishing Inc.

Elk Lake Publishing is a traditional, royalty-paying publisher that acquires a variety of books in all genres of fiction and from children’s to adult. They also publish nonfiction “with a twist.” At this time, they’re looking for primarily fiction—especially mystery/suspense and contemporary women’s—and selected nonfiction, but no Amish, cowboy, memoirs, devotionals, Bible studies, or poetry.

Register for MCWC by June 15th and request guidelines for emailing your manuscript.

 $40.00 per critique

DEB HAGGERTY (Publisher/Editor Elk Lake) – juvenile & adult fiction (LIMIT: 5)

 

DEB’S WORKSHOPS

TUESDAY AFTERNOON

Networking: Necessity or Nuisance

Networking is an attitude. We must always keep in mind those to whom we can refer others. In order to receive the benefits of networking, we must first give. Effective networking techniques are a necessity in successfully marketing ourselves and our work, and when implemented, reduce the nuisance factor of making new contacts. Effective networking aids us in finding new associates, as well as in maintaining our professional relationships.

WEDNESDAY AFTERNOON

Tips & Tricks for Working with Editors and Publishers

Working with editors and publishers can be foreboding. This workshop will give you tips on how to work with us effectively. (Chocolate always is helpful.) We’ll discuss the how-to’s of proposals and style sheets along with lots of tips on self-editing and formatting our work. This is an interactive session with questions and comments welcome. (And did I mention chocolate?) You’ll come away from this session realizing editors and publishers are people just like you—ready, willing, and able to help you on this publication process.

July is just a short TWO months away. Register now and make plans to join us for a writers’ conference that will give you all the information you need to get your work published! 😊 I hope to meet you there on July 14th!    

Marsha, Director                   

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PLOT # 15

FORBIDDEN LOVE

Romeo and Juliet

The Hunchback of Notre Dame

Are you a writer with a passion to peck out a love story with a tragic, yet heartwarming, plot or end? Then take heed to the steps you need to take to crank out a best-seller:

  1. Forbidden love is any love that goes against the conventions of society, so there is usually either an explicit or implicit force exerted against the lovers.
  2. The lovers ignore social convention and pursue their hearts, usually with disastrous results.
  3. Adultery is the most common form of forbidden love. The adulterer may either be the protagonist or antagonist, depending on the nature of the story. The same is true for the offended spouse.
  4. The first dramatic phase should define the relationship between partners and phrase it in its social context. What are the taboos that they have broken? How do they handle it themselves? How do the people around them handle it? Are the lovers moonstruck, or do they deal with the realities of their affair head-on?
  5. The second dramatic phase should take the lovers into the heart of their relationship. The lovers may start out in an idyllic phase, but as the social and psychological realities of their affair become clear, the affair may start to dissolve or come under great pressure to dissolve.
  6. The third dramatic phase should take the lovers to the end point of their relationship and settle all the moral scores. The lovers are usually separated, either by death, force, or desertion.

So, there you have it. Take note of the progression of “sadness” that must occur to develop a well-written forbidden love story.

ALL INFORMATION COMPLIMENTS OF

Tobias, Ronald B.  20 Master Plots: And How to Build Them (Kindle Locations 1185-1207). F+W Media, Inc. Kindle Edition.

I highly recommend this book for anyone interested in writing fiction of any kind.

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COMING SOON!

MY LATEST RELEASE!

A DEVOTIONAL FOR HORSE-LOVING KIDS!

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PLOT # 14

LOVE

Pride and Prejudice

Splash

The Ghost and Mrs. Muir

My Fair Lady

If you’re considering writing a romance, take into consideration the following information that just might help you write a best seller:

  1. The prospect of love should always be met with a major obstacle. Your characters may want it, but they can’t have it for any variety of reasons. At least not right away.

2. The lovers are usually ill-suited in some way. They may come from different social classes or they may be physically unequal (one is blind or have special needs).

3. The first attempt to solve the obstacle is almost always thwarted. Success doesn’t come easily. Love must be proven by dedication and stick-to-it-iveness.

4.  As one observer once put it, love usually consists of one person offering the kiss and the other offering the cheek, meaning one lover is more aggressive in seeking love than the other. The aggressive partner is the seeker, who completes the majority of the action. The passive partner (who may want love just as much) still waits for the aggressive partner to overcome the obstacles. Either role can be played by either sex.

5.  Love stories don’t need to have happy endings. If you try to force a happy ending on a love story that clearly doesn’t deserve one, your audience will refuse it. True, Hollywood prefers happy endings, but some of the world’s best love stories (Anna Karenina, Romeo and Juliet, Love Story) are very sad.

6.  Concentrate on your main characters to make them appealing and convincing. Avoid the stereotypical lovers. Make your characters and their circumstances unique and interesting. Love is one of the hardest subjects to write about because it’s been written about so often, but that doesn’t mean it can’t be done well. You will have to feel deeply for your characters, though. If you don’t, neither will your readers.

7. Emotion is an important element in writing about love. Not only should you be convincing, but you should develop the full range of feelings: fear, loathing, attraction, disappointment, reunion, consummation, etc. Love has many feelings associated with it and you should be prepared to develop them according to the needs of your plot.

8.  Understand the role of sentiment and sentimentality in your writing and decide which is better for your story. If you’re writing a formula romance, you may want to use the tricks of sentimentality. If you’re trying to write a one-of-a-kind love story, you will want to avoid sentimentality and rely on true sentiment in your character’s feelings.

9.  Take the lovers through the full ordeal of love. Make sure they are tested (individually and collectively) and that they finally deserve the love they seek. Love is earned; it is not a gift. Love untested is not true love.

So, there you have it. If you’ve started a romance, do a checklist using these nine essential “ingredients” and see how many you’ve included to shape that novel into a page turner.

ALL INFORMATION COMPLIMENTS OF

Tobias, Ronald B.  20 Master Plots: And How to Build Them (Kindle Locations 1185-1207). F+W Media, Inc. Kindle Edition.

I highly recommend this book for anyone interested in writing fiction of any kind.

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COMING SOON!

MY LATEST RELEASE!

STRAIGHT FROM THE HORSE’S MOUTH: A 60-Day Devotional for Kids

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Today’s Writers’ Tips

Plot Number 9: The Underdog

Plot Number 10: Temptation

Because plot number 9 is so short, we’ll look at plot number 10 as well. If you got a good handle on plot number 8, RIVALRY, then you’ll have no problem with number 9. So, let’s get to it:

PLOT #9

THE UNDERDOG

Joan of Arc

Rocky

Cinderella

  1. The underdog plot is similar to the rivalry plot except that the protagonist is not matched equally against the antagonist. It looks like there’s no chance of the hero winning.
  2. The antagonist, which may be a person, place, or thing (such as a bureaucracy), has much greater power than the protagonist.
  3. The dramatic phases are similar to the rivalry plot becaue it follows the power curves of the characters.
  4. The good news! The underdog usually (but not always) overcomes his opposition.

 

PLOT # 10

TEMPTATION

Adam and Eve

Our Lady’s Child

  1. The temptation plot is a character plot. It examines the motives, needs, and impulses of human character.
  2. This plot should depend on morality and the effects of giving in to temptation. By the end of the story, the character should have moved from a lower moral plane (in which he gives in to temptation) to a higher moral plane as a result of learning the sometimes harsh lessons of giving in to temptation.
  3. The conflict should be interior and take place within the protagonist, although it has exterior results in the action. The conflict should result from the protagonist’s inner turmoil—a result of knowing what he should do, and then not doing it.
  4. The first dramatic phase should establish the nature of the protagonist then be followed by the antagonist (if there is one).
  5. Next, the nature of the temptation is introduced, which establishes its effect on the protagonist, and shows how the protagonist struggles over his decision.
  6. The protagonist then gives in to the temptation. There could be some short-term gratification.
  7. The protagonist often will rationalize his decision to yield to temptation.
  8. The protagonist might go through a period of denial after yielding to the temptation.
  9. The second dramatic phase should reflect the effects of yielding to the temptation. Short-term benefits diminish and the negative sides emerge.
  10. The protagonist should try to find a way to escape responsibility and punishment for his act. 11. The negative effects of the protagonist’s actions should reverberate with increasing intensity in the second dramatic phase.
  11. The third dramatic phase should resolve the protagonist’s internal conflicts. The story ends with atonement, reconciliation, and forgiveness.

Wow, there are some complicated details to writing a TEMPTATION plot, so get your notepad ready and incorporate these points in your manuscript. You’re on your way to creating a fascinating read

Next time, we’ll look at plot # 11: Metamorphosis

All information compliments of:

Tobias, Ronald B (2011-12-15). 20 Master Plots (p. 189). F+W Media, Inc. Kindle Edition.

(I highly recommend this book for anyone interested in writing good fiction in any subgenre!)

Happy writing!

Marsha

P.S.: WRITERS, DOWNLOAD THE REGISTRATION FORM FOR THE

MONTROSE CHRISTIAN WRITERS CONFERENCE AT https://bit.ly/2HGlNYQ

 

BLUE RIBBON CHAMP

Skye must learn to control her sour feelings when a Down syndrome boy comes to Keystone Stables and is crazy over her.

http://amzn.to/2BennQy

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August 21, 2017

The “Quest” Fiction Plot

A while back I read one of the most informative books on writing fiction that I ever read: TWENTY MASTER PLOTS AND HOW TO BUILD THEM by Ronald Tobias. Before reading the book, I was totally unaware of how many different kinds of plots a writer could contrive in his/her fiction work. I’ve used this book as one of my primary resources when I teach fiction workshops at writers’ conferences. This work by Tobias is packed with useful information for any writer of fiction desiring to improve his skills for writing an I-can’t-put-the-book-down manuscript.

Last time I posted here, I defined “plot” and looked at the difference between a plot-driven book and a character-driven book. Today we’ll look at the first plot Ronald Tobias defined in his book:

PLOT # 1

QUEST

Samples of this type of fiction:

The Wizard of Oz

Lord of the Rings

The Grapes of Wrath

Jason and the Argonauts

 

As you write your story, keep the following points in mind:

  1. A quest plot should be about a search for a person, place, or thing; develop a close parallel between your hero’s intent and motivation and what he’s trying to find.
  2. Your plot should move, visiting many people and places. Don’t just move your character around as the wind blows. Movement should be contingent on your plan of cause and effect. (You can make the journey seem like there’s nothing guiding it— making it seem casual—but in fact it is causal.)
  3. Consider bringing your plot full circle geographically. Your hero frequently ends up in the same place where she started.
  4. Make your character different at the end of the story as a result of his/her quest. This story is about the character, who makes the search, not about the object of the search itself. Your character is in the process of changing during the story. How does he/she change and why?
  5. The object of the journey is wisdom, which takes the form of self-realization for the hero. This is often the process of maturation. It could be about a child who learns the lessons of adulthood, but it could also be about an adult who learns the lessons of life.
  6. Your first act should include a motivating incident, which starts your hero’s search. Don’t just launch into a quest; make sure your reader understands why your character wants to go on the quest.
  7. Your hero should have at least one companion. He must have interactions with other characters to keep the story from becoming too abstract or too interior. Your hero needs someone to bounce ideas off of, someone to argue with.
  8. Consider including a helpful character.
  9. Your last act should include your character’s discovery, which occurs either after giving up the search or after achieving it.
  10. What your character discovers is usually different from what he originally sought.

ALL INFORMATION COMPLIMENTS OF

Tobias, Ronald B (2011-12-15). 20 Master Plots (p. 189). F+W Media, Inc.. Kindle Edition.

 

Next time, we’ll have a look at PLOT #2: ADVENTURE

Happy writing!

 

Interested in Amish/Mennonite fiction?

Eli and Louellen Friesen’s marriage is on the rocks, and at the same time, both question their ordnung’s teachings of the way of salvation.

https://www.amazon.com/Louellen-Finds-True-Love-Snyder-ebook/dp/B01N18WW1C/ref=sr_1_1?s=books&ie=UTF8&qid=1502653855&sr=1-1&keywords=Louellen+Finds+True+Love

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Our Writers Conference Has Classes for That!

(Eva Marie Everson teaching in 2015)

 

Writers, isn’t it time to get that manuscript ready for publication?

What have you written that you’d like to see published?

A NOVEL?

SHORT STORIES?

POETRY?

PROFILES?

PICTURE BOOKS?

DRAMA?

ARTICLES FOR CONTESTS?

DEVOTIONALS?

MAGAZINE ARTICLES?

FILM SCRIPTS?

BIBLE STUDIES?

WE HAVE CLASSES FOR ALL THOSE AND MORE AT THIS YEAR’S

MONTROSE CHRISTIAN WRITERS CONFERENCE!

(SOME OF THE CLASSES OFFERED)

Indie Publishing vs. Royalty Publishing. What’s New?

Why Drama?

Formatting before Beginning

Fiction: Character Building

21 Ways to Overcome Writers Block

Get the Most out of the Conference

The Art of Collaborative Writing

Conducting High Profile Interviews

Blogging 101

Creating a Viable Stage Production

Shock the Clock: Time Management

Marketing for Writers Who Don’t Like to Market

Seeing Through the Eyes of a Child

Powerful Sentence Structures

Fiction: Setting and Description

Write for your Life

Prayer in the Life of a Writer

Creative Blockbusters

Making your Fiction Matter

Writing for Parenting Magazines

Blogging 102

Format and Performance Know-how

Writing Compelling Devotions

No Market for your Book? What to Do

Putting Characters in Place

PUGS Specifics for Christian Writers

Writing for Guideposts and the Guideposts Contest

Graduation Time; What’s Next?

Bible Studies that Sell

Real “Artist-Ship”

Aspects of the Editing Process

Breaking into Anthologies

Social Media 101

Sharing the Fun of Drama

Column Writer as a Platform Builder

Peace in the Literary Storm

Writing for Picture: Magazine or Picture Book for Children?

Understanding the Business of Writing for Publication

Selling Personal Experience Short Stories

What’s an Edit?

Irresistible Queries and Proposals

Proofread with Excellence

Writing the Profile Piece

In two weeks, we’ll be at Montrose, but it’s not too late to register for the 2017 Montrose Christian Writers Conference, July 16th to the 21st. If you can’t come for the entire time, then sign up for a day or two of your choice.

Check all the details at http://www.montrosebible.org/OurEvents/tabid/113/page_550/1/eventid_550/58/Default.aspx

And register today!

Marsha, Director

 

 

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The Importance of Keeping Detailed Notes

Writing both fiction and nonfiction has taught me how important it is to keep detailed notes while writing the book manuscripts. Now after having both genres published, I’m able to say, “I’m glad I did,” not “I wish I had.”

NONFICTION:

When I wrote my Bible study guide, DRAW ME CLOSER, LORD (2003, Regular Baptist Press), I had pages of notes for each of ten lessons, including websites for references, information about other authors’ names, addresses, and contact information whom I cited, Bible verses used, and so on. I listed in a separate file all the details I needed to go back and research or get additional information on any of the above entities of the written work.

Only after I submitted the manuscript to my publisher did I find out how valuable all that information was. The editor needed additional references for the bibliography at the end of the book AND she needed permission from all poets whose work I cited in the book. Now that was a task to complete! One poet had passed away, but I received a nicely written permission slip from the poet’s husband. Some poems had large publishing rights’ fees attached to them (such as poems written by Helen Steiner Rice), which forced me to delete those poems and insert others that had no fees. But with all this additional work, I can’t imagine how much harder it would have been had I not recorded where I found all the poems and quotes that I had used.

FICTION:

When writing my two fiction series, THE KEYSTONE STABLES and THE LOVES OF SNYDER COUNTY, I made detailed notes of all the characters, primary, secondary, and even the “insignificant” ones. I recorded lesser characters, whether they had a name or not, such as the man selling Scottie puppies at the farmers’ market who had his vending spot next to my main character’s table in Louellen Finds True Love. For the more important characters, I described their physical appearance and often their demeanor, personality, or likes and dislikes. I also listed the names or details of all places, including towns, counties, farms, homes of main characters, route numbers of roads, and descriptions of many of the places or scenes.

Why is this important?

If you’re writing a 150-to-400-page book, you need to know if you used the name “Joe” for any character, even if he’s just the guy fixing a flat tire at a garage. If you’re writing a series, which can take months or years, how are you going to remember whether Joe’s name was ever used for any character? Go back and read all your work? Uh huh.

In my LOVES OF SNYDER COUNTY SERIES, a three-volume set being re-released in a few weeks, I kept detailed notes, and I’m ever glad I did. After writing the three books, I also wrote an additional 24 short stories (5000-8000 words each) based on the characters in the three novels. [They’ll eventually be published as Plain and Proper in Snyder County Volume 1 (12 stories) and Plain and Proper in Snyder County Volume 2 (12 stories)]. I was able to go back to my pages of notes and see who’s related to whom, which farmers’ market is in Ohio, who the parents and siblings are of the main character in each story, which character in the book series likes sewing, which one loves horses, which one is a young widow, and so on. The initial work it took to open new files and start listing persons, places, and things has been well worth the effort. Believe me!

So, my advice to you is, if you’re writing a book or a series, keep detailed notes on everything you write. Yes, it’s extra work, but in the long run, you’ll be saying, “I’m glad I did,” not “I wish I had.”

 

Keystone Stables Book 3

 

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