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Posts Tagged ‘Writing fiction’

Our Writers Conference Has Classes for That!

(Eva Marie Everson teaching in 2015)

 

Writers, isn’t it time to get that manuscript ready for publication?

What have you written that you’d like to see published?

A NOVEL?

SHORT STORIES?

POETRY?

PROFILES?

PICTURE BOOKS?

DRAMA?

ARTICLES FOR CONTESTS?

DEVOTIONALS?

MAGAZINE ARTICLES?

FILM SCRIPTS?

BIBLE STUDIES?

WE HAVE CLASSES FOR ALL THOSE AND MORE AT THIS YEAR’S

MONTROSE CHRISTIAN WRITERS CONFERENCE!

(SOME OF THE CLASSES OFFERED)

Indie Publishing vs. Royalty Publishing. What’s New?

Why Drama?

Formatting before Beginning

Fiction: Character Building

21 Ways to Overcome Writers Block

Get the Most out of the Conference

The Art of Collaborative Writing

Conducting High Profile Interviews

Blogging 101

Creating a Viable Stage Production

Shock the Clock: Time Management

Marketing for Writers Who Don’t Like to Market

Seeing Through the Eyes of a Child

Powerful Sentence Structures

Fiction: Setting and Description

Write for your Life

Prayer in the Life of a Writer

Creative Blockbusters

Making your Fiction Matter

Writing for Parenting Magazines

Blogging 102

Format and Performance Know-how

Writing Compelling Devotions

No Market for your Book? What to Do

Putting Characters in Place

PUGS Specifics for Christian Writers

Writing for Guideposts and the Guideposts Contest

Graduation Time; What’s Next?

Bible Studies that Sell

Real “Artist-Ship”

Aspects of the Editing Process

Breaking into Anthologies

Social Media 101

Sharing the Fun of Drama

Column Writer as a Platform Builder

Peace in the Literary Storm

Writing for Picture: Magazine or Picture Book for Children?

Understanding the Business of Writing for Publication

Selling Personal Experience Short Stories

What’s an Edit?

Irresistible Queries and Proposals

Proofread with Excellence

Writing the Profile Piece

In two weeks, we’ll be at Montrose, but it’s not too late to register for the 2017 Montrose Christian Writers Conference, July 16th to the 21st. If you can’t come for the entire time, then sign up for a day or two of your choice.

Check all the details at http://www.montrosebible.org/OurEvents/tabid/113/page_550/1/eventid_550/58/Default.aspx

And register today!

Marsha, Director

 

 

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The Importance of Keeping Detailed Notes

Writing both fiction and nonfiction has taught me how important it is to keep detailed notes while writing the book manuscripts. Now after having both genres published, I’m able to say, “I’m glad I did,” not “I wish I had.”

NONFICTION:

When I wrote my Bible study guide, DRAW ME CLOSER, LORD (2003, Regular Baptist Press), I had pages of notes for each of ten lessons, including websites for references, information about other authors’ names, addresses, and contact information whom I cited, Bible verses used, and so on. I listed in a separate file all the details I needed to go back and research or get additional information on any of the above entities of the written work.

Only after I submitted the manuscript to my publisher did I find out how valuable all that information was. The editor needed additional references for the bibliography at the end of the book AND she needed permission from all poets whose work I cited in the book. Now that was a task to complete! One poet had passed away, but I received a nicely written permission slip from the poet’s husband. Some poems had large publishing rights’ fees attached to them (such as poems written by Helen Steiner Rice), which forced me to delete those poems and insert others that had no fees. But with all this additional work, I can’t imagine how much harder it would have been had I not recorded where I found all the poems and quotes that I had used.

FICTION:

When writing my two fiction series, THE KEYSTONE STABLES and THE LOVES OF SNYDER COUNTY, I made detailed notes of all the characters, primary, secondary, and even the “insignificant” ones. I recorded lesser characters, whether they had a name or not, such as the man selling Scottie puppies at the farmers’ market who had his vending spot next to my main character’s table in Louellen Finds True Love. For the more important characters, I described their physical appearance and often their demeanor, personality, or likes and dislikes. I also listed the names or details of all places, including towns, counties, farms, homes of main characters, route numbers of roads, and descriptions of many of the places or scenes.

Why is this important?

If you’re writing a 150-to-400-page book, you need to know if you used the name “Joe” for any character, even if he’s just the guy fixing a flat tire at a garage. If you’re writing a series, which can take months or years, how are you going to remember whether Joe’s name was ever used for any character? Go back and read all your work? Uh huh.

In my LOVES OF SNYDER COUNTY SERIES, a three-volume set being re-released in a few weeks, I kept detailed notes, and I’m ever glad I did. After writing the three books, I also wrote an additional 24 short stories (5000-8000 words each) based on the characters in the three novels. [They’ll eventually be published as Plain and Proper in Snyder County Volume 1 (12 stories) and Plain and Proper in Snyder County Volume 2 (12 stories)]. I was able to go back to my pages of notes and see who’s related to whom, which farmers’ market is in Ohio, who the parents and siblings are of the main character in each story, which character in the book series likes sewing, which one loves horses, which one is a young widow, and so on. The initial work it took to open new files and start listing persons, places, and things has been well worth the effort. Believe me!

So, my advice to you is, if you’re writing a book or a series, keep detailed notes on everything you write. Yes, it’s extra work, but in the long run, you’ll be saying, “I’m glad I did,” not “I wish I had.”

 

Keystone Stables Book 3

 

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Let’s Talk Grammar and Punctuation for a While

(Post Number Ten)

“The Quirky Quotation Marks”

“What can I say about quotation marks?” Marsha says. “If you are a fiction writer, you need to master the technique of using quotation marks. However, over the last few years, many publishing companies of nonfiction works have asked authors to incorporate ‘fiction’ techniques in their manuscript. That entails using quotation marks, mostly in dialogue, correctly.”

Of the many times I’ve seen quotation marks used incorrectly, the following example is the most misuse I’ve noticed:

Bad Example: Bert yelled to his son Raymond in the back yard, “Throw the ball, son”.

Folks tend to want to put that period AFTER the quotation marks at the end, but it is incorrect. The proper usage is as such:

Good Example One: Bert yelled to his son Raymond in the back yard, “Throw the ball, son.”

The same goes for the use of quotation marks with question marks and exclamation points:

Good Example Two: After lunch Eva asked her friend Bonnie, “Would you like to go shopping?”

Good Example Three: When Bobby saw his puppy fall off the sofa, he yelled, “Watch out, Scruffy!”

Another frequent abuse of quotation marks occurs in a series when words that need the marks are listed. The following example shows how the list should be correctly written:

Good Example Four: Last year, our writers’ conference featured workshops entitled “Write an Irresistible Query,” “Kiddie Lit for Toddlers,” and “It’s Time for an Agent.”

But what about double quotes in the same sentence? You might be thinking, How do I write them? Well, here’s how the CMOS says to use double quotes:

Good Example Five: Barney said to his cousin Elmo, “You must have heard cousin Heathcliffe say, ‘We’re going to the shore on Friday.’ ” (Note the period, the single quote, a space, and a double quote.)

I’m sure it is no surprise to you that there are exceptions to using quotation marks with other punctuation marks. The English language is one big exception, if you ask me!

Anyway, here are some examples of when the quotation marks go INSIDE the ending punctuation mark:

Example One: Harry subscribed to “The Pennsylvania Magazine”; he loves the pictures. (A work that needs quotes around its title)

Example Two: The sergeant asked Private Botting to state his “name and serial number”; he forgot his serial number and got in big trouble. (A phrase that is a direct quote)

Example Three: Which of Shakespeare’s characters said, “All the world’s a stage”? (A question asked with a quoted statement within it)

Example Four: Jesus said, “Blessed are the poor in spirit” (Matt. 5:3).  (The period follows the Bible reference.)

Example Five: I can’t believe Pauline said, “I’m leaving tomorrow at five in the morning”! (The exclamatory statement was made by “I” not “Pauline.” Therefore, the exclamation point comes AFTER Pauline’s quote.)

Example Six: How can teachers motivate students to learn who constantly say, “I hate school”? (The entire sentence is a question; therefore the question mark comes AFTER the quotation mark at the end.)

There are other uses of quotation marks and exceptions, but I’m thinking this blog is enough to confuse even the best writers in the land. If you have doubts, go online to the CMOS and check out your quotation mark question firsthand.

Next time we’ll look at perky parentheses and bold brackets, which will just about wrap up our series of blogs offering punctuation advice for writers. Then we’ll move on to another venue in the fascinating world of writing and publishing.

Happy writing!

Marsha

More shameless promotion:

KEYSTONE STABLES SERIES BOOK 2

ON THE VICTORY TRAIL

Book2.On.Victory.Trail.Cover

Foster kid Skye Nicholson faces the greatest test of her young Christian life when her

best friend, Sooze, develops a brain tumor.

http://www.amazon.com/gp/product/B002U8KW7G/ref=series_rw_dp_sw

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Let’s Talk Grammar and Punctuation for a While

(Post Number Nine)

The Excitable Exclamation Point!

 

Today we’re looking at a “quicky” punctuation mark because its uses are quite limited.

Most writers agree that the exclamation point is not in much danger of being used incorrectly. But I would venture to say that its greatest misuse is OVERUSE!!!!!! (Case in point: Never use more than one exclamation point consecutively, no matter how emphatic or dramatic you’re trying to be!!! The second and third exclamation points in a row actually negate the effect or mood you’re trying to portray, so take it easy. Use just one!)

So, when do we use the exclamation point and how often? Well, the obvious use of the exclamation point is to inflect fear, panic, surprise, irony, pain, anger, or a command. To use more than one every several pages of your writing is also OVERUSE! So watch that excitable little mark well! (I’ve already used nine in this blog [ho hum]; are you getting the point?)

Since this mark’s use is limited, we’ll just cite some popular examples for this little guy:

Example One (Fear): “Watch out,” Susie cried. “The tiger got out of his cage!” (Note that the exclamation point is inside the quotation marks.)

Example Two (Panic): Mabel forgot to turn off the stove, and the house is burning down!

Example Three (Surprise): I can’t believe I just won that car!

Example Four (Irony): Bill boarded one plane, and his wife boarded another!

Example Five (Pain): Ow!

Example Six (Anger): “Stop kicking the door!” Jane screamed to the top of her lungs at Herman.

Example Seven (A command): Stand up and shut up!

Let’s mention one more example, which is perfectly legal, even though many “English pros” might call it into question, since it IS a question:

Example Eight (At the end of a question that is essentially an exclamation):

How could Barry possibly have lifted that!

“When will you ever learn!” Carrie’s anger with her puppy was obvious.

So there you have the eight most common uses of the exclamation point. Use it sparingly and wisely, and your writing will have an extra spark that will impress even the editors!

Next time we’ll have a look at quirky quotation marks. These can be quite confusing, especially when you have a quote within a quote, so until next time happy writing!

Marsha

More shameless promotion:

KEYSTONE STABLES SERIES BOOK 1

A HORSE TO LOVE

Foster kid Skye Nicholson hates everyone and everything, including herself

until she meets Christian foster parents and a beautiful Quarter Horse named Champ.

 keystone-stables-book-1

http://www.amazon.com/gp/product/B002U80FZK/ref=series_rw_dp_sw

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May 23, 2016

 

Today’s Writers’ Tip: Writing Fiction Plots Outside the Box

Christmas.Presents

Over the years, I’ve taught different classes and courses on writing at various writers conferences, including the Montrose Christian Writers Conference in Montrose, PA. As of January 2015, I assumed the directorship of the conference, which is a wonderful experience for any writer at any level in his/her career. Every year there are workshops and classes presented by a faculty (this year 17) of many best-selling or award-winning authors, agents, or editors representing various genres and subgenres.

In one of my seminars for beginners, I present anything and everything from query letters and proposals to marketing yourself and your work. I also present a detailed Power Point on the good elements of fiction, including how to write “outside the box.” I thought I’d share a few of those pointers with you in this post.

First, we need to define the term “outside the box.” What in heaven’s name does that mean?

“Write outside the box.”

Well, in plain language, it means to write a plot that doesn’t have a normal humdrum boring story line.

As a short exercise in my presentation, I always cite some average boring story lines and ask my class to change the plot so that it’s outside the box. One example I cite is the following:

“A little girl finds a nest of baby bunnies in her back yard.”

Now, of course, everyone is immediately drawn to the “outside the box” famous children’s story, Alice in Wonderland, where Alice finds a whole new world, not a nest of baby bunnies.

Several years ago, I presented this workshop to a group of writers and asked how to change the story line. One fellow in the back of the room raised his hand and said, “How about if a big rabbit finds a nest of little girls in his back yard?”

I said to him, “Sir, you are DEFINITELY thinking outside the box. Go for it.”

Just for the fun of it, I’m going to list about 10 different story lines. Analyze each one. If you can change the plot to move it outside the box, do so. But some of the story lines are already outside the box and are, in fact, famous stories or books written by best-selling published authors. See if you can identify those that are already great plots.

So, which of these would you like to continue to read?

  1. A little girl saves enough money to buy a horse at auction.
  2. A bitter sea captain of a sailing ship hunts for a white sperm whale to kill him.
  3. A newly married couple tours Paris, France, and enjoys all the sites.
  4. A boy is shipwrecked on an island with only a wild stallion that won’t let him get near him.
  5. A middle-aged woman works at Wal-Mart, saving enough money to take a trip to Hawaii.
  6. A young pioneer woman is left alone on the prairie in her covered wagon when her husband falls from his horse and is killed.
  7. The neighbor’s cat has a litter of six kittens underneath a little boy’s porch.
  8. A collie dog, sold and taken away from the boy he loves, travels a long distance through life-threatening dangers to return to his boy.
  9. A young unmarried girl decides to marry her childhood sweetheart.
  10. An unmarried woman on a plantation in a southern state faces the harsh reality of post Civil War life and the loss of all she held dear.

Well, how did you do? Did you analyze the boring plots and decide what you could do to make them better? (Numbers 1, 3, 5, 7, 9)

And did you identify the best-selling books/movies in numbers 2, 4, 6, 8, and 10?

MOBY DICK

THE BLACK STALLION

LOVE COMES SOFTLY

LASSIE, COME HOME

GONE WITH THE WIND

When you analyze what makes these million-dollar story lines what they are, you’ll be on your way to writing, possibly, the next great American novel. And all the while you’re writing, keep on reading. Read tons of books, especially in the subgenre in which you are writing, and learn how the masters did it. Maybe someday, your name will be on a best-seller list with the rest of them!

Happy writing!

P.S. Time to register for the Montrose Christian Writers Conference. You won’t be sorry!

Please check http://www.montrosebible.org/OurEvents/tabid/113/page_550/1/eventid_550/58/Default.aspx for all the details.

Marsha

http://www.marshahubler.com

http://www.horsefactsbymarshahubler.wordpress.com

http://www.marshahubler.com

(More shameless promotion)

ANOTHER WHOLESOME BOOK FOR TWEENS

SNOW, PHANTOM STALLION OF THE POCONOS

SNOW

Dallis Parker copes with bullying at school by dreaming about owning Snow, a wild Mustang, who most folks believe doesn’t even exist. Then she actually touches the horse, and her life is changed forever.

http://www.amazon.com/Snow-Phantom-Stallion-Marsha-Hubler-ebook/dp/B013GUF078/ref=sr_1_1?s=books&ie=UTF8&qid=1449523382&sr=1-1&keywords=Snow%2C+Phantom+Stallion+of+the+Poconos

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Character Development

cartoon-worker-flexing-his-muscles-isolated-37246000

 

He’s a Nice Man? She’s a Nice Lady? Really?

 

Anyone who has tried to write fiction for any length of time realizes that character development is quite important to help your story move along and not be “flat.”

A writer who works diligently at his craft will spend much time developing his primary and secondary characters so that they jump out on the page and practically hug the reader, inviting him to join the party!

So, how is a character developed cleverly so that his description, life’s ambitions, demeanor, habits, quirks, and personal appearance are shown not told?

I guess the best way to demonstrate the proper technique is to “show” and not “tell,” so what we’ll do is look at some bad examples and then turn them into good examples.

Before studying the examples, please remember one important rule when working on character development. Listing all of the character’s traits in one paragraph is about the most boring technique a writer could ever use. A writer who develops his characters properly will embed all of the traits into the narration and/or dialogue so that the reader hardly notices what’s been done, yet will enjoy getting to know the characters on a personal level.

Now, let’s look at some bad examples and then compare them with some good examples:

Bad Example Number One: (Description)

“It’s me, Tanya!” She was so nervous, her voice quivered. Tanya was a tall African American teenager who had a nice shape. She wore a ponytail with long ringlets hanging down in front of her ears. Even though it was cold, all she had on were a thin jacket and jeans. She was really cold.

Good Example Number One:

“It’s me, Tanya!” a quivering voice answered. A tall African-American teenager stepped into the doorway, now in full view of the overhead lights. The girl folded her arms in a futile attempt to keep warm, her shapely frame covered with just a thin denim jacket and jeans. Her short ponytail and long strands of ringlets in front of her ears quivered as she tried to keep warm. (From Keystone Stables Book 3: Southern Belle’s Special Gift, p. 11, by Marsha Hubler)

Bad Example Number Two: (Demeanor or Personality)

Skye Nicholson was a thirteen-year-old brat who had been in trouble with the law for years. Now she found herself sitting in a courtroom, which didn’t seem to bother her one bit. She had a terrible temper, which her lawyer tried to control while they sat before the judge for Skye’s hearing. Skye slumped in her seat and yawned. She was really ignorant.

Good Example Number Two:

Skye Nicholson looked cold as an ice cube as she slumped in the wooden chair and stared back at Judge Mitchell. Most ordinary thirteen-year-olds would have been scared to death as a hearing with an angry judge yelling at the top of his lungs. But Skye was no ordinary thirteen-year-old. Her anger matched the judge’s. Only Wilma Jones, her court-appointed lawyer, prevented Skye from exploding. (From Keystone Stables Book 1: A Horse to Love, p.9, by Marsha Hubler)

Bad Example Number Three – (Description of a horse):

The horse was a beauty. He was a reddish-brown color, and he had a stripe down the middle of his face. His ears were real pointy. His mane and tail were silky and his coat was real smooth. He didn’t smell horsey at all. He smelled kind of like fresh-cut hay.

Good Example Number Three – (Description of the same horse):

The horse’s sharp ears pricked forward as if it could read her mind. A white stripe ran down the middle of its face, and its soft mane and tail blew in the breeze like corn silk. Its reddish-brown coat, sleek and smooth, sparkled in the sun. And the smell? Like sweet, fresh-mown hay. (From Keystone Stables Book 1: A Horse to Love, p.26, by Marsha Hubler)

Are you getting the idea? Embed all that information about the character right into the story. Let’s do one more, just for fun:

Bad Example Number Four: (Description and Feelings)

Louellen was totally embarrassed when she fell into her employer’s arms. It wasn’t only because she thought herself clumsy, but she loved this man because he was so handsome with wavy blonde hair and nice brown eyes. He always had wonderful-smelling cologne on too. Louellen was an Amish woman and dressed in Nineteenth Century clothes. She had green eyes and auburn hair with a white kapp on and a navy cape choring dress, which she always wore when she cleaned. When she tripped and fell into the man’s arms, she scared the family dog out of his wits too.

Good Example Number Four:

Louellen gasped for breath as she regained her balance and pulled away from her employer’s arms. His touch, first ever and accompanied by the sweet smell of his expensive Canoe after shave, stirred something deep inside Louellen’s heart that she didn’t expect. For a moment, she focused on his gorgeous wavy, blonde hair and handsome face and then quickly lowered her gaze. Never before had she allowed herself to look into this man’s gentle brown eyes, although she had studied him from a distance. Hands shaking, she adjusted the white mesh kapp covering her auburn hair and ran her hands down the sides of her navy cape choring dress. She shifted her green eyes to the dog sitting nearby with a puzzled look on his face as if to say, “What happened?” (From Love Song for Louellen book manuscript, p.1, by Marsha Hubler)

Well, there you have some character development examples for you to analyze.

What doesn’t work in the bad examples? What does work in the good examples? You decide; then look at some of your own character descriptions and see what you can do to improve them. Get those characters out of that boring descriptive box and turn them loose with their surroundings, some action, and some backdrop. Your editor and your reader will enjoy your writings much more!

Next time, we’ll discuss verbs that can kill your manuscript.

Happy writing!

Marsha

http://www.montrosebible.org

http://www.horsefactsbymarshahubler.wordpress.com

http://www.marshahubler.com

 

(More shameless promotion)

A HORSE TO LOVE

 

Keystone Stables Book 1

Foster kid Skye Nicholson hates everyone and everything until she meets Champ,

a gorgeous show horse.

 

Read Full Post »

 

 

Writing an Eye-catching Proposal

Smiley.Face.Smiling

The Synopsis and the Autobiography

In my last blog, I started sharing information about writing an eye-catching proposal. If you scroll down to the last blog a week ago, you’ll see the first two parts of a proposal, the Title Page and the Table of Contents. As previously said, publishing companies have different guidelines stating what they’d like to see in a proposal, so if you ever get the letter that requests a proposal, be sure to ask for their guidelines if they haven’t already offered them.

Today we’ll show you the next two components of a proposal that’s sure to “catch the eye” of that editor or agent:

III. The Synopsis of the Manuscript: (Two or three pages long; NO dialogue)

LOVE SONG FOR LOUELLEN

by Marsha Hubler

 Synopsis

Twenty-five-year-old Amish Louellen Bidleman Friesen finds herself falling in love with forty-year-old English man Dr. David McAndrew, a widower with two children, for whom she cleans house regularly in Mapletown,SnyderCounty, centralPennsylvania. There’s only one problem. Louellen is already married.

Three years prior and well past the “marrying age,” Louellen Bidleman had wed Amish man Eli Friesen, mostly because of pressure from her family. Eli, also in his mid- twenties and “passed over,” had married Louellen for one main reason, to have sons.

Louellen tries desperately to love Eli, and because of her church vows, sets out to be a proper wife and good mother when God blesses them with little ones. However, after three years, there are no children. Louellen is devastated, and Eli becomes bitter, feeling trapped in a marriage that has produced no offspring, even though he knows that he has the medical problem, not his wife. Although he treats Louellen civil in public, at home he emotionally detaches himself from her and ignores her needs.

Because divorce is forbidden, Louellen tries to be submissive while Eli snubs her, goes about his farm business, and struggles to show her any love at all. Besides keeping her family life “private,” Louellen also hides another secret that would cause her family great shame: she loves music and ever since she heard beautiful piano music played at the McAndrew household, she has had the desire to learn more about the “instrument of evil” and, perhaps, learn to play it herself.

Unknown to either of them, both Louellen and Eli have great doubts about the Amish faith in which they’ve both been reared. Deep in their hearts, they question the legitimacy of a religion that does not afford them an intimate relationship with their God, a relationship they both desperately want and need. Also, while questioning the bishops’ and elders’ control over church members with long lists of restrictions and “forbidden pleasures,” they long to have the assurance that they are destined to heaven when they die, an assurance that is not present in the Amish Ordnung to which they belong.

Louellen’s housekeeping “boss,” 40-year-old David McAndrew, a surgeon, at one time considered himself religious. But when his young wife dies of cancer, leaving him to rear two children on his own, he turns his back on God. His two children, Andrea, now eighteen years old, and Jenna, now sixteen, are not “religious” in any way, but both girls have an interest in spiritual things, a desire they keep hidden from their father because of his bitterness against God. Andrea attends the local community college where she is majoring in music. Jenna attends the local high school as a sophomore and is thrilled about getting her driver’s license.

David finds himself falling in love with Louellen and begs her to leave her husband. He showers her with attention in his home, treats her like royalty, and buys her expensive gifts that she can’t take home with her….

(This synopsis has two more pages that fully explain the plot to the very end.)

Let’s take a look at: About the Author/Speaker: (One page long; note it is in third person)

About the Author/Speaker

Marsha Hubler has had a background conducive to effective writing. She has a master’s degree in education from Bloomsburg University, Bloomsburg, PA, and has been an educator for forty years. She has co-founded two private schools,Kreamer Christian Academy, Kreamer, PA, and the Bethesda Prep School, Milton, PA, and had served as teacher/ administrator in each. She presently works with homeschoolers in her home in Middleburg, PA, (50 miles north of Harrisburg in Amish/Mennonite country) where she lives with her husband and two dogs.

Marsha has been a foster parent and has owned horses. She also has numerous opportunities to speak at ladies’ events, schools and kids’ clubs, and at writers’ conferences.

Marsha has always had a deep desire to write, but teaching and caring for foster children and horses had allowed little time to pursue her dream passionately. However, since 1990, she has had some success with published articles, children’s stories, and poems. In 2000, the door opened for her to write books. Three years later she had her first book published, a ladies’ Bible study guide entitled DRAW ME CLOSER, LORD by Regular Baptist Press, Schaumburg, Illinois.

Marsha is most excited about her Keystone Stables Series published by Zonderkidz. The eight girl/horse fiction books for tweens, released since 2004, deal with heavy issues such as juvenile delinquency, death of a close friend, foster care, and special needs children. The books have been well received, the first one in the series considered a best seller. Because of the series’ success, Zonderkidz redesigned the books’ size, cover, and titles, and Marsha wrote 20 extra pages of back matter that are addressed to her fans. Books seven and eight were released in the spring of 2010. The same year, Marsha released two other stand-alone juvenile fiction books, RICKIE RIDES TO THE RESCUE and THE SECRET OF WOLF CANYON.

In 2006 a contract with New Leaf Press from Green Forest, Arkansas, has resulted in a helps book for parents entitled WE’VE DECIDED TO HOMESCHOOL. NOW WHAT? The book was released in September of 2007.

Living in a heavily-populated Amish/Mennonite area of PA and personally knowing folks from these religious persuasions have motivated Marsha to try her hand at contemporary Amish/Mennonite romance for adults. With her familiarity with the Amish/Mennonite lifestyles, Marsha believes she can accurately portray the sects’ beliefs and lifestyles factually in a fiction setting. To this goal, she writes.

*****

Well, there you have the third and fourth components in a good proposal. Work on your synopsis with no dialogue. Write it as if you were writing an article for a newspaper. Use description and narration, and make it short. And for your bio, make that even shorter! What the editor or agent is looking for is how well you can write, and he/she will get a good taste of that when you include your first three chapters.

Next time, we’ll discuss Character Sketches and Backdrop.

Happy writing! Happy proposing! Marsha

www.marshahubler.com

 

(More shameless promotion)

 

SNOW, PHANTOM STALLION OF THE POCONOS

SNOW

Dallis Parker copes with bullying at school by dreaming about owning Snow, a wild Mustang,

who most folks believe doesn’t even exist.

Then she actually touches the horse, and her life is changed forever.

http://www.amazon.com/Snow-Phantom-Stallion-Marsha-Hubler-ebook/dp/B013GUF078/ref=sr_1_1?s=books&ie=UTF8&qid=1449523382&sr=1-1&keywords=Snow%2C+Phantom+Stallion+of+the+Poconos

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