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Posts Tagged ‘writing for publication’

 

TODAY’S WRITERS’ TIP

FICTION PLOT : REVENGE

Continuing our study of fiction plots, we’ll look at plot number 6 today: Revenge

Ha! Here’s your chance to get even with all those evil people in your life who did you wrong; of course, you’ll change the names to protect the guilty, but you should have a barrel of fun writing what you’ve always wanted to say—or do—to those wicked folks in your life. So let’s have a look at:

PLOT #6

REVENGE

Anger Angry Bad Burn Dangerous Emotion Evi

(Photo compliments of pixabay.com)

Hamlet

The Outlaw Josey Wales

The Sting

As you write your revenge plot:

  1. Your main character should seek retaliation against the antagonist for a real or imagined injury.
  2. Most (but not all) revenge plots focus more on the act of the revenge than on a meaningful examination of the character’s motives.
  3. Your hero’s justice is “wild” vigilante justice that usually goes outside the limits of the law.
  4. Work on manipulating the feelings of your reader by avenging the injustices of the world by a man or woman of action who is forced to act by events when the institutions that normally deal with these problems prove inadequate.
  5. Your hero should have moral justification for vengeance.
  6. Your hero’s vengeance may equal but might not exceed the offense perpetrated against the hero (the punishment must fit the crime).
  7. Your hero first should try to deal with the offense in traditional ways, such as relying on the police— an effort that usually fails.
  8. The first dramatic phase establishes the hero’s normal life, which the antagonist interferes with by committing a crime. Make your reader understand the full impact of the crime against the hero and what it costs both physically and emotionally. Your hero then gets no satisfaction by going through official channels and realizes he must pursue his own cause if he wants to avenge the crime.
  9. The second dramatic phase includes your hero making plans for revenge and then pursuing the antagonist. Your antagonist may elude the hero’s vengeance either by chance or design. This act usually pits the two opposing characters against each other.
  10. The last dramatic phase includes the confrontation between your hero and antagonist. Often the hero’s plans go awry, forcing him to improvise. Either the hero succeeds or fails in his attempts. In contemporary revenge plots, the hero usually doesn’t pay much of an emotional price for the revenge. This allows the action to become cathartic for the reader.

So there you have ten points that you need to develop as you write your revenge plot. Work on these details, perfect them, and you just might write yourself a best-selling novel!

I believe as you outline your fiction plots, you can better define which plot you’re developing and better understand how to incorporate many of these characteristics to improve your writing 100%.

All information compliments of:

Tobias, Ronald B (2011-12-15). 20 Master Plots (p. 189). F+W Media, Inc. Kindle Edition.

(I highly recommend this book for anyone interested in writing good fiction in any subgenre!”)

Next time, we’ll have a look at PLOT #7: The Riddle or Mystery

Happy writing!

Marsha

A wild but cozy mystery for tweens with a secret code the reader has to crack:

THE SECRET OF WOLF CANYON

http://amzn.to/2nK0Y66

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WRITERS, GET YOUR MANUSCRIPT READY FOR PUBLICATION!

Writers, what’s your passion? Fiction? Devotionals? Personal interest stories? Film? Poetry? Picture books? Drama? Other?

Then it’s your time to come to the Montrose Christian Writers Conference, July 16th to the 21st at the Montrose Bible Conference Center, Montrose, PA. You’ll have a choice of over 40 classes, work-in-progress seminars, peer critique group interaction, and private interviews with faculty members to help you get your manuscript ready for publication. Following is a list of the afternoon classes offered:

Indie Publishing vs. Royalty Publishing. What’s New? Faculty Panel Discussion

Why Drama?

Formatting before Beginning

Fiction: Character Building (Part One)

21 Ways to Overcome Writers Block

Get the Most out of the Conference

The Art of Collaborative Writing

Fiction: Character Building (Part Two)

Conducting High Profile Interviews

Blogging 101

Creating a Viable Stage Production

Shock the Clock: Time Management

Marketing for Writers Who Don’t Like to Market

Seeing Through the Eyes of a Child

Powerful Sentence Structures

Fiction: Setting and Description

Write for your Life

Prayer in the Life of a Writer

Creative Blockbusters

Making your Fiction Matter

Writing for Parenting Magazines

Blogging 102

Format and Performance Know-how

Writing Compelling Devotions

No Market for your Book? What to Do

Putting Characters in Place

PUGS Specifics for Christian Writers

Writing for Guideposts and the Guideposts Contest

Graduation Time; What’s Next?

Bible Studies that Sell

Real “Artist-Ship”

Aspects of the Editing Process

Breaking into Anthologies

Social Media 101

Sharing the Fun of Drama

Column Writer as a Platform Builder

Peace in the Literary Storm

Writing for Picture: Magazine or Picture Book for Children?

Understanding the Business of Writing for Publication

Selling Personal Experience Short Stories

What’s an Edit?

Irresistible Queries and Proposals

Proofread with Excellence

Writing the Profile Piece

Please check out all th details at

http://www.montrosebible.org/OurEvents/tabid/113/page_550/1/eventid_550/58/Default.aspx

I look forward to meeting you  July 16th!

Marsha, Director

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Let’s Talk Grammar and Punctuation for a While

(Post Number Eight)

 The Itinerant Italics

Are you a writer who used italics frequently? Or perhaps you’re not quite sure when to use this little punctuation perk? Such was the case with me until I did a little research and study to make sure I was using italics correctly.

I’m sure you’ll agree that the most common way to use italics is mostly in fiction when using Direct Internal Discourse.

What in the world is Direct Internal Discourse?

Oh, that’s the “formal” fancy term for expressing someone’s inner thoughts. This is the most frequent use of italics. So let’s look at some examples of that plus some examples of other uses for italics:

Example One: Bill looked at Susie and thought, Now’s the time to ask her to marry me.

Example Two:   That’s just the sweater I want! Marge asked the clerk, “How much is that pullover cardigan?”

Exception: Do NOT italicize an inner thought that is indirect or paraphrased.

Example: Steve had been telling himself not to buy that car for the last week.

 

 Citing Sources

Although the AP Stylebook says to put all “composition” titles in quotation marks except the Bible and reference books, the CMOS prefers using italics for large titles:

Example One: Gone With the Wind is one of the most powerful movies ever made.

Example Two: One of my favorite books is The Christmas Box by Richard Paul Evans.

Example Three: Have you subscribed to the Reader’s Digest again this year?

Exception: Smaller components of such works, such as articles, chapter titles,

song titles, poem titles, and episodes should be in quotation marks.

Example: Barry read an amazing article about chipmunks entitled “The Nuts’ Best Friend” in this month’s Pennsylvania Magazine.

 

Animal Noises, Sounds, Ringing Phones, Etc.

In fiction, words that depict sounds other than dialogue are written in italics:

Example One:   Woof! Woof! Barney, Pete’s dog, barked his head off!

Example Two:   S-q-u-e-a-k …. “Who’s there?” Angie screamed.

Example Three: R-i-n-g …. Philip hurried to the front door, hoping he’d see Angie.

 

Foreign Words and Phrases

Unless you’re writing about Russian spies or Amish Ordnungs, this italics rule might mean little to you. However, whenever quoting foreign words or phrases, use italics. In the case of using the foreign words in fiction, they are usually italicized the first time as an introduction but are not italicized throughout the novel.

Example One: Henrietta’s German mother taught her to say ich liebe dich, (I love you), which helped Henrietta express her true feelings.

Example Two: In her Amish Ordnung, Ruth was the only alt maedel over twenty-five years who wasn’t married yet.

 

Italics for Emphasis

Often, in trying to express emphasis, writers will mistakenly use quotation marks instead of italics in a sentence. However, the italics is the proper way to go to express emphasis in a sentence:

Example One: Fritz made a very conscious effort to go on a diet this time.

Example Two: “Are you really going to drive to Florida by yourself?” Harry asked Bob.

 

Quoting a Word or Phrase

This use of the italics is probably most used in nonfiction. When citing words or discussing phrases, italicize the word or phrase in discussion:

Example One: The use of the word salvation in many of our traditional hymns has a powerful message.

Example Two: The shed blood of Jesus is one of the foundational doctrines of the Christian faith.

So, there you have the most common uses of the italics. Take a look at your own writings, see if you can incorporate a few italics here and there, and give your manuscript a little extra spice. As long as italics aren’t overused, this little punctuation perk can add some life to your work. So go for it.

Next time we’ll look at the exclamation point! This little jot and tittle is probably one of the most misused punctuation marks in the English language!

Happy writing!

Marsha

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Skye finally finds out what happened to her real parents,

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