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Archive for October, 2018

PLOT # 15

FORBIDDEN LOVE

Romeo and Juliet

The Hunchback of Notre Dame

Are you a writer with a passion to peck out a love story with a tragic, yet heartwarming, plot or end? Then take heed to the steps you need to take to crank out a best-seller:

  1. Forbidden love is any love that goes against the conventions of society, so there is usually either an explicit or implicit force exerted against the lovers.
  2. The lovers ignore social convention and pursue their hearts, usually with disastrous results.
  3. Adultery is the most common form of forbidden love. The adulterer may either be the protagonist or antagonist, depending on the nature of the story. The same is true for the offended spouse.
  4. The first dramatic phase should define the relationship between partners and phrase it in its social context. What are the taboos that they have broken? How do they handle it themselves? How do the people around them handle it? Are the lovers moonstruck, or do they deal with the realities of their affair head-on?
  5. The second dramatic phase should take the lovers into the heart of their relationship. The lovers may start out in an idyllic phase, but as the social and psychological realities of their affair become clear, the affair may start to dissolve or come under great pressure to dissolve.
  6. The third dramatic phase should take the lovers to the end point of their relationship and settle all the moral scores. The lovers are usually separated, either by death, force, or desertion.

So, there you have it. Take note of the progression of “sadness” that must occur to develop a well-written forbidden love story.

ALL INFORMATION COMPLIMENTS OF

Tobias, Ronald B.  20 Master Plots: And How to Build Them (Kindle Locations 1185-1207). F+W Media, Inc. Kindle Edition.

I highly recommend this book for anyone interested in writing fiction of any kind.

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PLOT # 14

LOVE

Pride and Prejudice

Splash

The Ghost and Mrs. Muir

My Fair Lady

If you’re considering writing a romance, take into consideration the following information that just might help you write a best seller:

  1. The prospect of love should always be met with a major obstacle. Your characters may want it, but they can’t have it for any variety of reasons. At least not right away.

2. The lovers are usually ill-suited in some way. They may come from different social classes or they may be physically unequal (one is blind or have special needs).

3. The first attempt to solve the obstacle is almost always thwarted. Success doesn’t come easily. Love must be proven by dedication and stick-to-it-iveness.

4.  As one observer once put it, love usually consists of one person offering the kiss and the other offering the cheek, meaning one lover is more aggressive in seeking love than the other. The aggressive partner is the seeker, who completes the majority of the action. The passive partner (who may want love just as much) still waits for the aggressive partner to overcome the obstacles. Either role can be played by either sex.

5.  Love stories don’t need to have happy endings. If you try to force a happy ending on a love story that clearly doesn’t deserve one, your audience will refuse it. True, Hollywood prefers happy endings, but some of the world’s best love stories (Anna Karenina, Romeo and Juliet, Love Story) are very sad.

6.  Concentrate on your main characters to make them appealing and convincing. Avoid the stereotypical lovers. Make your characters and their circumstances unique and interesting. Love is one of the hardest subjects to write about because it’s been written about so often, but that doesn’t mean it can’t be done well. You will have to feel deeply for your characters, though. If you don’t, neither will your readers.

7. Emotion is an important element in writing about love. Not only should you be convincing, but you should develop the full range of feelings: fear, loathing, attraction, disappointment, reunion, consummation, etc. Love has many feelings associated with it and you should be prepared to develop them according to the needs of your plot.

8.  Understand the role of sentiment and sentimentality in your writing and decide which is better for your story. If you’re writing a formula romance, you may want to use the tricks of sentimentality. If you’re trying to write a one-of-a-kind love story, you will want to avoid sentimentality and rely on true sentiment in your character’s feelings.

9.  Take the lovers through the full ordeal of love. Make sure they are tested (individually and collectively) and that they finally deserve the love they seek. Love is earned; it is not a gift. Love untested is not true love.

So, there you have it. If you’ve started a romance, do a checklist using these nine essential “ingredients” and see how many you’ve included to shape that novel into a page turner.

ALL INFORMATION COMPLIMENTS OF

Tobias, Ronald B.  20 Master Plots: And How to Build Them (Kindle Locations 1185-1207). F+W Media, Inc. Kindle Edition.

I highly recommend this book for anyone interested in writing fiction of any kind.

*****************************************************

COMING SOON!

MY LATEST RELEASE!

STRAIGHT FROM THE HORSE’S MOUTH: A 60-Day Devotional for Kids

Read Full Post »

PLOT # 13

MATURATION

Flight (J. Steinbeck)

Nick Adams’ Stories (E. Hemingway)

Huckleberry Finn

Hansel and Gretel

What does it take to write a page-turning maturation fiction plot? Whether for adults or children, there are certain steps to take. Let’s see:

  1. Create a protagonist who is on the cusp of adulthood, whose goals are either confused or not yet clarified.
  2. Make sure the audience understands who the character is and how she feels and thinks that begins the process of change.
  3. Contrast the protagonist’s naive childhood against the reality of an unprotected life (adulthood).
  4. Focus your story on your protagonist’s moral and psychological growth.
  5. Once you’ve established your protagonist as he/she was before the change, create an incident that challenges her beliefs and her understanding of how the world works.
  6. Does your character reject or accept change? Perhaps both? Does he/she resist the lesson? How does he/she act?
  7. Show your protagonist undergoing the process of gradual change.
  8. Make sure your young protagonist is convincing; don’t give him/her adult values and perceptions until he/she is ready to portray them.
  9. Don’t have that protagonist accomplish adulthood all at once. Small lessons often represent major upheavals in the process of growing up.
  10. Decide at what psychological price this lesson comes, and establish how your protagonist copes with it.

ALL INFORMATION COMPLIMENTS OF

Tobias, Ronald B. 20 Master Plots: And How to Build Them (Kindle Locations 1185-1207). F+W Media, Inc. Kindle Edition.

I highly recommend this book for anyone interested in writing fiction of any kind.

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